不懂4存在的意义,首先,4已经完全违背了“录像”这个特殊的记录方式,不要告诉我几个监控器就是录像了哦呵呵。
镜头超级乱,甚至没有前三部走拍的镜头稳,血腥的地方模模糊糊,整个高潮就是在跑地图。
最后我想问,那个寄生虫怎么这么顽强,炸弹都炸不死?
如果没有意外的话应该还有第五部,我预言肯定叫“暴走的大白鲨”哈哈。
如果不是特别好或特别差的片子,我一般也懒得去豆瓣上面写影评或看影评。
这是前言。
这部电影,怎么说呢,属于后者。
这烂片……要恐怖没恐怖要狗血倒是淋一头,剧情出彩也没有,承上启下也没讲明白,宗教题材变成了科幻片,第一人称纪录片拍摄手法早就丢到姥姥家了。
正派像反派,反派很正义(不愿意让船靠岸)……不过每个角色看了都想让他死……最后女主和屌丝男得救也让人丝毫不欢喜。
这种全片让人看了都不爽的电影,不就是卖弄血浆的烂片么…………好了,发泄式吐槽(喷)完毕
After the demise of the Spanish Police GEOs team sent in to deal with the situation in the second film, the fourth film opens with the Army taking control and sending in a Special Forces Team to recover Ángela and destroy the building. They begin setting bombs all over the apartments, but when they're ambushed by the infected Manu and the old man, they then kill them off and kill the officers infected as well. They then hear Ángela's screams for help and tell her it is time to get out.Ángela wakes up in a room where Doctor Ginard is performing tests on her. He asks her if she remembers anything and she says no. Ginard takes a blood sample to make sure she's clean. A GEO, Guzman, finds an elderly lady, who is revealed to be the only survivor of the events of the third film. He meets up with his partner, Lucas. Ángela attempts to escape the lab, and runs into Guzman. Both discover they are on a boat. Doctor Ricarte and the soldiers tell them that the situation is under control as Ángela's blood returned clear of any infection.Guzman is introduced to Captain Ortega, who's making his last voyage, and Nick, who's in charge of com-apps. Nick is trying to recover the footage from Ángela's camera. Later that night, a blackout occurs. Guzman finds Ángela walking in the hallways of the ship. She claims to have gotten scared and Guzman keeps her wandering a secret. The next afternoon, Ángela meets Nick, who's a huge fan of hers. He shows her the tape and Ángela begins to remember Tristana Medeiros. Nick also sends the file to the labs for them to look over.Ricarte and his team discover that their test subject, an infected monkey, was released during the blackout. The monkey attacks and infects the ship's cook. Their blood contaminates the ship's food supply, which infects most of the crew through ingestion. After unsuccessfully testing an antidote on the cook, they leave Ángela, Guzman, Lucas and the old woman in the cafeteria. It turns out Lucas took a sample of blood from the building and knows that the people in charge are the Vatican. After they arm themselves with knives and kill two infected men and a monkey, the old woman is separated and Lucas volunteers to find her while Guzman and Ángela go to the Captain and Nick for help.Ricarte gives up with nothing left to do to stop the infection and then decides to pursue the “protocol.” Just before doing so, his assistant informs him of receiving the uploaded footage. Ricarte witnesses Tristana inserting a worm-like parasite into Ángela. He attempts to extract the parasite by forcing surgery on Ángela, who pleads that she doesn't know what he's talking about, but before an incision can be made, the captain's assistant who is now infected breaks in and bites Ricarte's assistant which allows Ángela to escape. Ricarte and his team then go to search for Ángela but then seals himself away after the cook is released and attacks his team only to be attacked by Ángela, who bites him, telling him to scan his blood and see for himself that he is mistaken. Guzman, Lucas and Nick then try to find weapons and a way to restart the ship. Nick then tells them that Ángela is alive so Guzman goes to find her while Lucas and Nick head to the boiler room. Ricarte proves Ángela's theory when his analysis returns negative. Still, Ricarte is convinced that Ángela is tricking them so Guzman asks Ángela if she is, but then she asks Guzman if he has been tricking them all along. It's revealed that Ángela passed the parasite into Guzman during her rescue. Ricarte then sets the ship to self-destruct and escapes while Guzman traps Ángela below.Lucas is then killed by the infected in the boiler room and Nick finds Ricarte, who has a lifeboat. Nick asks for Ángela but Ricarte tells him she's as good as dead. Nick knocks him out, takes the lifeboat and searches for her. He later finds her, and both kill the infected monkeys with a boat-motor. They hide from the infected in the cafeteria and then are attacked by Guzman. The parasite possessing Guzman then attempts to reinstate itself into Ángela but she kills Guzman with a fishing pole thanks to Nick. Ángela and Nick leave the boat as all the infected chase after them. Ángela jumps into the ocean and Nick follows, escaping as the ship explodes. Underwater, the Parasite gains consciousness and dives into a fish's mouth.During the credits, Ángela and Nick are shown in a cab, having made it home.Filming:On 3 May 2010, Bloody Disgusting announced that "...Filmax will produce two new [REC] films in the next couple of years called [REC] 3: Genesis and [REC] 4: Apocalypse with the same directors as the first two films".Genesis was released on 30 March 2012. It was directed by the Co-founder of the REC franchises, Jaume Balagueró, who co-wrote the script along Manu Diez.Carlos Fernández, Julio Fernández and Alberto Marini returned 4th time as executive producers.In an interview with Fangoria, director Balagueró stated that the film would not have an apocalyptic style presumed by its title, stating, "All of the movies in the [REC] series have the same budget, so you’re not really going to see big scenes of Barcelona full of zombies; they’re just not intended that way. There has to be a story that’s controlled and strong." Apocalypse is set to follow the events of the second film, and will not be made in the "found footage" style. Production was scheduled to begin in 2013. At the 2012 Sitges Film Festival, it was announced the film would have its world premiere there in October 2013. An announcement trailer was released in late November, confirming the return of Manuela Velasco.[citation needed]However, in early May 2013, Balagueró stated that the film's production had been delayed and the film would now premiere sometime in mid-2014, but did confirm that Manuela Velasco would be starring in the fourth film. Teaser posters and an updated premise were released early May. Filming began on 13 July 2013 in Gran Canaria, aboard a Russian merchant navy ship.A theatrical trailer for the film was released in April 2014.Rated:R18+Review of the Film Final Rated:2/5(2/10)
盼星星盼月亮,终于盼到了这一最新续集。
影片的故事情节紧密衔接前两部,并将整个故事做了终结,也算划上了一个圆满的阶段性句号。
不过最后那根大蛆虫(从嘴巴里进出的东西,暂时忘记叫什么名字了,暂且用“蛆虫”代替吧)还是进入了鱼的嘴巴,这是不是预示着故事还在继续,导演还会拍续集呢?
也许这只是导演在给自己留一条后路而已,如果想拍能够很好地衔接前作,如果不拍,也不会影响前作的完整性。
这是系列片的一贯做法,我们能做的只是拭目以待。
顺便吐槽一下该系列的第三部《死亡录像:起源》。
看了第四部《死亡录像:启示》后我想骂人,《起源》也算第三部吗?
即算不上前传,也算不上续集,故事情节及拍摄风格与前作大相径庭,甚至可以说与前两部没有关系,放在一个系列里显得格格不入。
正在怀疑导演为何还要拍《起源》来恶心人时,顺便百度了一下才发现,原来《起源》的导演不是豪梅•巴拿盖鲁而换成了帕科•普拉扎。
这也难怪,毕竟导演都换了,有如此大的差别也是可以理解的。
不过,还是要批评一下导演,为何要将版权卖给这种人呢?
这是对自己不负责,也是对观众不负责任的表现。
目前这一部才算真正的第三部,故事与前作的承接性非常强,故事没有换,演员也没换。
不过前后相隔了七年,主演老了很多,不再是那个清纯懵懂的小姑娘了,多多少少失去了原有的味道。
从影片表现力来说,第四部不如前两部,其原因很可能是拍摄风格的改变,不再是那种特有的直播式风格,而落入了传统的多镜头拍摄风格的俗套,因此难免会显得大众化。
尽管如此,个人觉得该片还是当之无愧的2014年度最佳恐怖片,不仅有恐怖、紧张、刺激、血腥的场面和剧情,其对人性阴暗面的揭示也十分到位。
死亡录像系列一路看过了,真的是一部如不一部啊,到底要怎样拯救呢?
不过说起来总体的故事脉络还是很入胜。
前2部是接续的,第3部算前传吧,第4部感觉是很明显的收到了生化危机里面在大油轮上那一部的影响了,同样的孤独的女主角、粗鲁而无措的男主角、一群心怀鬼胎的科学家、一个逗比胖子配角的设置,实在是封闭恐怖片的经典配置。
总体来说,就是无新意,无特色。
除了最后女主稍微漏了点点大胸之外。
嘻嘻。
相比《行尸走肉》中干瘪迟钝,要靠团队力量才能站住脚的丧尸,还有《生化危机》中已经沦为现代进攻武器的科技恶魔,本片算是嗜血生猛,简单粗暴的原始回归。
只要你熬过开场让人哈欠连天缓慢代入故事的30分钟,你就会感受到后面的竟然嗜血暴力!
别再拍了,从第一部那么好拍到现在那么烂……看不下去了都。
这部和第三部还真是烂的各有千秋啊,算是把这个系列毁完了剧情:剧情很烂,导演一定觉得自己拍的老悬疑老震撼了,最后还有反转,实际上根本经不起推敲,蠕虫从女主跑到男主身上,结果到最后女主才说出真相,合着你前面是失忆了吗?
非得等结尾才说出真相,早点说早点把男主绑起来也用不着死这么多人人物冲突制造得非常生硬,大家都是一条船上的人,前期那些博士跟谜语人一样死活不解释清楚病毒是什么情况,非得等闹大了才解释,然后你就能看到一脸懵逼的男主一群人跟谜语人博士一会儿合作一会儿对立。
恐怖片里如果人类方有分歧对立那么这部电影就离烂片不远了还有男主被蠕虫附身了为什么前面还要保护女主,后面蠕虫要杀了女主,这不是和前面男主保护女主的行为冲突吗,这样显得结尾的反转更生硬了这个系列的大背景就是教会和政府一起在研究破解一定病毒,这系列神父作用>特警,这部时间线在第二,三部之后,理论上应该有情报知道圣经可以控住僵尸,结果船上居然一个神父没有,这完全不合理啊人物:最开头特种部队突入一段,队友被感染,男主等人很干脆的就把队友解决了,我还在想没有那种假圣母的人物塑造挺好的,完了后面又开始刻画男主等人的人性,把博士写成冷酷无情的角色来跟主角团对比,这种写烂的模板套路,结果还刻画不好,最后又是烂片经典的主角团一定圣母看得观众高血压还有那个胖子居然活下来了,队友被杀,他就在旁边干看着,这种出生居然让活下来了,编剧不会也是个喜欢监控偷看别人换衣服,别人出事干看着的肥猪吧😅视觉:这部看着就是有钱了,各种场景来回转,时不时还给船一个大镜头,但跟第三部一样,抛弃了《死亡录像》最精彩的摄像机第一人称视角,缺少代入感,第三部有几个摄像机视角还算出彩,这部干脆一点都没有了,只有几个监控镜头也叫死亡录像啊……总结:烂片,别看,浪费时间
死亡录像4:启示录 (2014)5.72014 / 西班牙 / 剧情 惊悚 恐怖 / 豪梅·巴拉格罗 / 曼努埃拉·贝拉斯科 哈维尔·博泰特
几点疑问:1.病毒来源究竟为何物,以及它的来源。
2.自始至终结尾都没有交待照片中小女孩的身份。
3.教会为何物,是一种莫名奇妙的讽刺吗?
4.人性的阴暗与冷酷表现的恰如其分,不多不少。
5.衔接的设计,让人一头雾水。
为什么最后会在海上搞研究,明明知道它是通过液体传播6.为何感染体要转移到更加合适的宿主,何为合适的宿主。
7.呆萌的工程师尼克才是救世主啊,虽然他胖的有些可爱,但正是偶像的力量让他突然勇敢起来,为了一种单纯的信仰而去拯救女角。
显然,他们成功了最后。
8.最后恶魔还是冲出火海,隐匿进了大海。
总结;本来因为第一部片子的设置使得期待很大,结果编剧一直没把故事讲清楚。
有一种云里雾里浑身不自在的感觉,不痛不痒,没有太大感觉。
终归来说,录像的纪实手段很有意思。
医院,住宅楼,废弃工厂...这次死亡录像将片场转移到了船上。
坦诚的说这部电影感觉上合记录类恐怖片毫无一点关系,录像机在片中也只是出现过一次。
丧尸类电影始终离不开变异,相互传染,这部电影到也贴切循规蹈矩。
片中的亮点是丧尸妆容,满脸的斑和腐烂更给丧尸添加了一些恐怖,虽然数量出现的并不多,但是恐怖程度不错。
杀丧尸的工具也是一样的循规蹈矩,最终还是电锯来的痛快。
还有值得一提的感染源与猴子的作用,如此善逗血腥的猴子要比疯狗更加恐怖,可惜描述不多。
在厨房猴子和厨师那一站充满血腥。
如果要是恐怖片效果很不错,但是记录恐怖片离题材还是太远。
作为第二部的续集,这部拍得有点让人失望,恢复正常的拍摄手法,当然了,如果一直用第一视角会让人觉得很尴尬。
根据官方的报道,这是改系列的最后一部,以后不会再出相关的续集,但这一部作为收尾,明显有点仓促,第二部莫名其妙的神学到了第四步就变成了生化之间的较量,小女孩出现恶魔护身的情况是因为寄生虫的原因。
这第四部的改动就让很多东西站不住脚了。
1.寄生虫看样子是无法繁殖的,可以感染,碰到强劲的宿主才会转移,那么小女孩的时代,为什么一直都存在于小女孩的身体里,没有转移宿主?
2.为什么寄生虫会对十字架这么敏感?
3.这真是神一般的寄生虫,能够操控感染者,而已可以实现对话,这比寄生兽还要寄生兽。
最为系列的最后一集,终于收场了,但是不推荐看。
慢节奏
2024BIFF,6分,下班赶过去,困兮兮的路上在出租车上睡觉。在那一块迷路了不知道怎么走,好在群友及时指导我,男朋友又因为poopoo迟到了。片子就是剪成一个三分钟视频就能大致看完那种,一种风格而已,俄罗斯式美感,宏大粗粝壮阔。回到家都累死了。女主角长得好像[怪奇物语]的小11。
一路北上就像成长(问答环节有人问导演Is Lolita one of the inspirations? 导演火速接no no,笑死)
#BJIFF2024#听沙丹忽悠 有点冲动的选了这个片子 大家都在不明所以的刷豆瓣
#2024北京 亚洲首映3.5
摄影很美...但是...
萧条冷冽的公路片 父女 母亲的骨灰 松散的叙事与冷静克制的长镜头
出町座。荒凉的土地,荒凉的内心。
3.5
给低分吧,不合适;给高分吧,不值当。感觉父女俩太i了,其他人也陪他们一起i。或许影片就是想广袤空旷的空间之上,构建/展现这样一种人与人疏离冷漠的关系?
-
视听语言很棒,但总觉得没能和故事形成特别有机的互动(虽然故事本来就比较弱)
我觉得报看,难以忍受的沉闷,和看安哲老塔不是一个感觉,不是360度运镜就是大师吧😅一部让我中途不停看表的电影
【BJIFF】第四场,坚决下周来北京要提前保证充足睡眠。这部真的很喜欢,好喜欢结尾的音乐(有人能告诉我是什么吗?)。静态的诗歌。
大银幕看这个可太酷了。一开始不知道这片要干啥(没看过介绍),只是觉得给这掌机的话我可太high了。看明白这两人干啥之后更是…不就放个盗版露天电影,怎么酷得像2077里的游民+超梦黑客,就逛个大西伯利亚,怎么酷得像辐射荒原+极乐迪斯科😆要说这片有啥很高的艺术成就吗也没,但4月这俩电影节看的所有含迷影元素的电影里这部最酷了没有之一,可谓十分罕有地同时集齐我想看+我想拍+我想玩的内容,看得我全程内心不停敲碗大喊aaaa🥲
C+/ 如此美丽的推拉摇移,把远处和近处的风景都收聚一体,自然形成了一种语境与物的关系。而面包车在蜿蜒的小路上穿行并逐渐成为镜头中心,就像是在一个传说里浮现一般。这种缓慢的“浮现”、逐渐被注目、被光照亮的过程成为一种灵韵的来源,让人物的目光透过拍立得、透过摄影机、透过电影放映变得坚实而致密。但局部的人物关系构建还是有些中空,导致结尾的几层转折都有些突兀。
终究我还是不适合看这种过于平缓意识流虽充斥氛围意境但故事性缺失的片子,虽然vanlife是我很感兴趣的题材,但毕竟看无依之地的时候我也睡着了!
不闷,也想不到什么豆瓣缩写,叙事也没什么毛病,挺好的。
#Cannes2023
BJIFF 14|“It seems that the summer is going to be cancelled.” 有人带着女儿和投影仪四处流浪放电影,有人裹着大衣在荒原的路边卖冯内古特和卡夫卡。人与人之间都没什么话可说,一瓶烈酒、暴力的拳头、砸向玻璃的石块和裸体照片就是情绪的全部表达。内心和自然一样神秘而令人畏惧,非常俄罗斯。看的时候发现一些画面明显有胶片受损的痕迹,大概是刻意为之? P.S. 电影画面真的很像“从世纪金源(对不起 但那个商场真的好像)到瑞瓦肖”啊… 以及中文字幕又在胡乱翻译了,have enough fling都不能好好翻嘛…