黑帮领地

第七集看完汤老师一个电话，就能刀下留人？！

这比编剧都猛还当个牛马打工人不是二么？

其实布兰登蛮可爱的他才是这部戏最正常的人还有这个梅芙啊一介女流之辈 一天到晚的无间道我不知道大英真实黑帮有没有这个笔调事太奇葩了要么编剧yy的，要么编剧喝多了还有汤老师的老婆，简直弱智知道老公整天干这比掉事 还以为有真友情一把年纪 忒不真实了

梅芙刚开始毫无征兆地指出老朋友是内奸时，还让人觉得睿智；她向老公的对头透漏家族人员的信息时，真让人无语。

家族里有个艾迪已经够让人头疼了，老太太更不让人省心。

大家都认为是哈瑞根丧心疯了，其实应该是那一老一小是疯子加蠢货。

反观哈瑞根，不是顺应形势、有效作为吗？

人是“多样”易变而自主的，外在变局是前所未有的，人性的弱点与社会的发展永远是催生世界向前运动的动力。

所有的矛盾、意外都需要老布（鲁斯南，哈）来定夺，老布的决定既出乎意料，又让人折服，尤其在克服来自内部自以为是的“队友”制造的“意外”时，远比解决外部挑战时困难的多的情况下。

哈迪的最难能可贵的点，就在于他知道该听谁、信谁、服谁，强劲的执行力只有在正确的方向下，才有意义和效果。

《资治通鉴》第一篇值得不断去结合着事与感受去体会，在不断分崩离析的时间里，哈瑞根展示了鲜活的灵活性与原则性，事儿就应该这么办，态度就应该这么表达，真实而不是想象的历史就是这样的

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劇情銳利如刀，緊張感從不鬆弛，角色行為始終符合其本性——而非僅為推動劇情服務。

無論是政治野心、喪失之痛、忠誠還是背叛，每個動機都紮實可信，毫不突兀。

哈里是全劇最耀眼的明星：沉著冷靜，忠誠到近乎偏執。

這種角色在當今影視中極為罕見——他能以平靜的權威力挽狂瀾於既倒。

他與凱文之間的互動充滿層次卻不流於煽情，源於共同的歷史與真摯的情感紐帶。

敘事緊湊有力，節奏從未松懈。

影片以自信的方式構建緊張感——風格十足卻不浮誇，聰明機智卻不自鳴得意。

每個場景都讓你更深陷於它描繪的黑幫世界。

首集就驚艷全場。

精良的製作、緊湊的節奏、精準的氛圍把控，讓人一看就知道這劇知道自己要什麽，於是我繼續追下去。

劇情線交織得嚴絲合縫，每個轉折都水到渠成，每個揭露都恰到好處。

而角色...這才是真正的殺手鐧。

那些你本該憎恨的人物，你卻開始理解他們。

本劇的強項在於克制之美。

它不依賴炫目的視覺效果或連續不斷的動作戲，而是透過寫實風格與精湛演技來營造張力。

不過若你期待蓋·里奇式瘋狂能量——那些鋒利對白、標誌性剪輯或誇張炫酷的風格——可能會略感失望。

畢竟里奇只是本劇製片人而非創作者，這點從劇本風格便能看出：更樸實，更冷峻。

它並非十全十美之作。

儘管扣人心弦，但是不像那些層次豐富、體系完整的劇集那樣值得重溫。

當所有謎團揭曉後，二次觀看能發現的新內容實在有限。

但作為單次觀影體驗，絕對值得。

这小子和他爷爷基本就是隔代传的关系。

他爷爷康拉德从年轻开始就是个疯子一样的人。

冲动易怒的同时又特别能下狠手。

康拉德杀自己几十年的好朋友几乎没啥犹豫的。

艾迪也是，一言不合就捅人刀子。

反而是家族的第二代，无论是凯文还是布伦丹，基本都还勉强算正常人。

康拉德年轻时候是不是给爱尔兰共和军当过杀手？

或者根本就是从爱尔兰黑帮分裂出来的。

人嘛，就那么10来个；计谋吗，聊胜于无。

狠话倒是放了不少，基本上都是小打小闹。

最后一集说了，都是小时候收到了太多虐待导致没有智商。

浪费了汤和布的颜值。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。

Harry和Bella的关系，剧里表现的是有点儿暧昧，播了四集，Harry已经私下三次单独去找Bella帮她解决问题，尤其Bella说的那几句言辞暧昧的话，绝对是挑逗性的，就让人感觉俩人以前有点儿啥事似的。

不过第四集最出人意料的是Bella是Conrad的旧情人、爹把情人转手给儿子这一重磅，这么来看，Harry和Bella就不太可能有过啥了，而以Harry对Kevin的义气和对Harrigan家的忠诚感来说，他也不太可能和Bella有过啥。

就连汤老师在接受Collider采访时被问Harry跟Bella咋回事时都说There's nothing going on there. 不过第四集最后俩人对Kevin的问话回答不一，估计也对未来三人关系的走向埋下了伏笔（讲真，感觉Kevin实惨：蹲监狱被侵犯、老婆是爹给的二手、儿子是个疯批祸害而且是不是亲生的现在都说不好、自己住的房子还被炸飞了） 。

这剧是慢热型（不管咋说，汤老师的Hardy Son & Baker到现在为止不做烂剧，自己公司拍的自己主演的目前也只有《禁忌》和MobLand，IMDb打分都是8.3），第一集无感，之后渐入佳境。

得赞一个汤老师，做到了演技松弛+张力兼得，是暴徒，却也彬彬有礼 （突然让我想到略萨在他小说里用的词“温柔的暴力或粗暴的柔情”），无论什么惊悚血腥场面，几乎没有情绪失控的时候，只有Jan告诉他Conrad来过家里后，才惊爆F四字（说到汤老师，这些年下来，他是只接狠人戏不接普通人的戏了，反正要么是黑帮、犯罪分子、恶徒亡命徒，要么是警察、军人、拳击手、不怕死的勇夫啥的，也对，很多年前看过他演一个轻喜风格小浪漫风的电影，就感觉非常不搭，难怪他自己都说再不演这款了。

可惜，看不到汤老师演个深情款，就连年轻时演爱情戏，也挑了个个色的——《呼啸山庄》里的希刺克厉夫。

尽管汤老师现在接受采访时总嘲自己又老又丑，但也奇怪，无论是十多年前还是现在，只要看他的戏，总能不由自主被迷住）。

BTW，第二集Harry在酒吧暴虐店主那段的BGM是The Prodigy的Breathe，和汤老师的气场真是太搭太带感了，找了一下剧里的歌曲（更新中）：Starburster – Fontaines D.C. (Opening Theme / Closing Credits Music) Episode 1 “Stick or Twist” Deeper Underground – Jamiroquai & Don Diablo Firestarter – The Prodigy Episode 2 “Jigsaw Puzzle”Dark Days – Yard Act gy Episode 3 “Plan B”Dark Days – Yard Act Episode 5 “Funeral for a Friend”People Ain’t No Good – Nick Cave and the Bad Seeds 最后五集的名字，谁来盲猜个谜底。

"Antwerp Blues""The Crossroads""Helter Skelter""Beggars Banquet""The Beast In Me"（这个me是Harry吧？

）PS 巧了，中午走在路上看见这么一个，哈哈哈哈！

PS2 贴一个《卫报》的MobLand剧评，这把汤老师给夸的Tom Hardy can be very persuasive. In Taboo, people did what he said because he’d growled something intimidatingly gothic at them; in Locke, they knew he’d only phone back later if they didn’t give in; in the Kray brothers biopic Legend, there were two Tom Hardys and they were both holding claw hammers. Whenever he’s the celebrity reader on CBeebies Bedtime Stories, meanwhile, half of the adults watching wouldn’t need any persuading.The idea that a Tom Hardy character cajoling, threatening or influencing someone is an art form in itself is the core of MobLand, a decent new gangster epic that casts Hardy as top fixer Harry Da Souza. Harry works for the Harrigans, the Irish clan who dominate the London drugs and guns scene, but who are prone to excess and perhaps not as savvy as they once were. Their charming, clinical lieutenant Harry cleans up their messes.Problem one in episode one is that spoiled wild child Eddie Harrigan (Anson Boon) has been on a bender which ended with the stabbing of a geezer in a nightclub – “I gave him a plunge,” says Eddie, his voice too plummy to pull off hardman vernacular – and which could cause the perennial tension between the Harrigans and cockney crime dynasty the Stevensons to develop into a properly naughty war. Harry has to bring Eddie to heel, placate enemy kingpin Richie Stevenson (Geoff Bell), and either sweet-talk or scare witnesses to the knifing, according to whether he wants them to share information or keep stumm. Then he ambles back to his luxury Thames-view apartment, where his neglected wife, Jan (Joanne Froggatt), demands he sign up for couples counselling – but before she can finish her list of grievances, Harry’s phone goes off and he’s reporting for duty again.Hardy’s charisma here is made of confidence and competence: Harry is a guy whose strong hands sort things out. “If I say I’m going to do something,” he says, when his reliability is questioned, “it gets done.” MobLand’s writer/creator Ronan Bennett is interested in organised crime as a business that runs on common sense and people management: while the Harrigans make the big decisions, the workaholic Harry liaises with their industry’s toothless regulator (the police), disciplines errant staff members and implements the odd, rather sudden, redundancy. Harry is essentially a resourceful, well-connected executive, so Hardy gives him a penetrating articulacy, only occasionally flecked with the rough grit Harry must have had in his days as a foot soldier.“Right now, I am in first gear,” says a gun-wielding Harry to two toerags who think they’re hard enough to not do what he tells them. Hardy delivers the punchline – “Would you like to see me shift to sixth?” so calmly that he’s barely audible, which is awfully close to hilarious. But Bennett and Hardy are willing to lean in to Harry’s comic potential, as when he tells another small-time crook what will happen if he crosses the Harrigans: “I, or possibly one of my associates, depending on my availability, will find you.”The Harrigans are fun, too. There’s the boss, Conrad, a wax-jacketed nouveau aristocrat who spits on his hands and claps when he receives good news, or murders people when he doesn’t. What may be mistaken for an erratic performance by Pierce Brosnan is an attempt to embody a dangerously erratic man. Then there’s the real boss, Conrad’s omniscient wife, Maeve (Helen Mirren), and their son Kevin (Paddy Considine), Eddie’s dad, whose missing ruthless streak means he’s constantly professionally cuckolded by Harry, who is not blood but is the favoured child.If MobLand sounds like a more sophisticated take on the cartoon gangster shenanigans of a Guy Ritchie film, that’s what it is: Ritchie directs the first two episodes. You expect either to dismiss a new Ritchie project as crass twaddle, or to quietly chide yourself for enjoying something that probably is crass twaddle, but has been made with enough mischief and flair for you to stop fussing and have a good time. This, however, isn’t in either category.Ritchie’s direction is … pretty good. Accomplished. Smooth. He flexes various muscles he has built up in previous work, as he takes us to old-school boxing gyms and flat-roofed Isle of Dogs boozers, gentleman’s clubs and Cotswolds estates. We’re tasting jellied eels in one mouthful and caviar in the next, the point being that successful criminals often achieve a level of wealth they were not born to handle.Aside from that, and some indications that Maeve’s power comes from having learned to weaponise the dark perversities of the men in her life, there’s not much of the psychological depth that a premium mob saga runs on. But if you ever start thinking MobLand isn’t worth your time, Tom Hardy will be along shortly to convince you otherwise.PS3 第五集的Maeve太疯了。

MobLand已到季中，五集有四集是在结尾挂掉一个人，反转比当年“权游”有过之而无不及。

第五集刚一播完，外媒已经开骂了。

比如Screen Rant就说该剧叙事生硬、剧情线不讲究动机与连贯性、多条支线被随意拾起又丢弃、临近季中仍无清晰主线，并说第五集剧情更是混乱（Esquire也搞笑地说by now, the story has racked up more lines than Eddie Harrigan on a night out.）、最后十分钟突然反转仿佛前四集从未存在、布鲁斯南和米伦饰演的角色令人厌倦是严重选角失误等等等等（这么一看，戏剧感是有点儿过于刻意了，Maeve疯得太过了，谁让海伦·米伦说她是以演麦克白夫人的方式演Maeve呢）。

当然也有夸Richie这个角色演得好的（Richie简直不要太惨）。

《洛杉矶时报》采访布鲁斯南让他透露点儿MobLand后续剧情时，他回答：There’s a fair bit of blood. Not everyone is who they say they are. And there’s a particular rat in the pack. There’s quite a few surprises. All the scripts were consistent with what you’ve already seen. If anything, the writing gets stronger. And there’s an introduction of a particular character who alters the landscape. But don’t trust any of them. 总之，线头儿忒多，一季是讲不明白了，还得有第二季。

我的天，我才发现海报上汤老师的右手。。。

是P过的！

IMDb上不知道是写错了还是啥，第一季全部十集都出现的角色只有Harry、Conrad、Jan、Bella、Eddie、Maeve，而Kevin只有五集，也就是说两个疯子Eddie和Maeve至少到第一季结尾都还活着，而Kevin。。。

要挂不成？

PS4 MobLand热播，还有《毒劫》（MobLand刷新了Paramount+一个开播纪录，《毒劫》虽然评价呈两极，但上线首周即登顶网飞全球收视榜）。

所以，Slate上有篇文章写得挺有意思，叫How I Learned to Stop Worrying and Love Tom Hardy （The star of the Venom movies and Mad Max: Fury Road was supposed to be the next Brando. He’s turned out to be something else entirely.） https://slate.com/culture/2025/04/tom-hardy-havoc-mobland-venom-movies-netflix.html 在谈到这两个作品时说：MobLand is a show about compartmentalization, about how getting in bed with evil prevents you from ever being your full self. It thus requires a lead performance that is a simmering pot, never quite at full boil. Harry is always pretending he’s OK. In one scene, he’s like a charming little boy trying to dodge a fight with his wife, and in another, while shaking down a witness, he’s the most dangerous man you’ve ever met. Harry can turn that danger on or off like a table lamp, using subtle changes in tone of voice and physical presence. The whole performance is as intricate as the wrinkles in Hardy’s forehead, in a way that a more conventional star would’ve probably not bothered with. MobLand is compulsively watchable, but beyond its performances (the great Paddy Considine and Downton Abbey’s Joanne Froggatt do excellent work as well), it’s pretty shallow. By taking the role seriously, even though it’s for a work of popcorn entertainment, he both anchors and deepens the show. The same is true for Havoc, which, if you like your action grim and relentless, will suit your fancy. Yeah, he does the eye thing, but watch closely, and you’ll see that he’s developed a total physicality for the role of Walker, one in which he is always listing slightly to the right, and somehow manages to lumber and move with ginger hesitancy at the same time, indicating a body that has taken its share of hits over the years. Vulture这篇超长的汤老师作品大排名也值得一看 https://www.vulture.com/article/best-tom-hardy-movies-ranked.html再次回到这篇一开始的问题Harry和Bella的关系，因为又看到一篇Collider采访剧中女演员们的文章，Collider直接说Harry和Bella此前是有点儿啥的，问Bella的饰演者Lara Pulver未来二人关系走向如何，回：“像猫鼠游戏”： I think Bella finds fun and almost a reprieve in Harry. They share wit and humor. Look, I'm not sure whether she emotionally or physically wants to get involved with Harry, but she has a lot of fun poking at the bear. It's a bit cat and mouse-y, a bit of just pushing boundaries. I think she's a bit sick of the identity, and the place that she's been in for quite a while, and it's almost like she's rebelling, and just flexing her muscles and seeing what avenues she can explore. 汤老师语录：“I have been an actor for quite a while now. I’m old. It’s okay though because I always wanted to play the characters when I was younger that I’m the age to play now - and now, I want to be young again.” When asking Hardy about his own acting method today, he said, “Oh, I don’t have a method. I’ve studied so many methods - so many - that you take a little bit from everything. Ultimately, the fundamental that I have, if anything, is Do I like this? What do I like about it? and ask questions. Get to know the people I’m working with on it, especially the writer, the director. Get right in the middle of the weeds with them and understand what is it that you want to say, because I can create and conjure.” He added: “You take what works for you and everybody’s different - in the same way I wouldn’t advise another actor how to do something. It’s not my business. It’s a language - any method necessary. If anything, I’ve refined that to just the joy of storytelling.”He added about his current mindset towards acting: “Sometimes, it’s not a question of going out there and doing like, I did the greatest performance of my life! It’s not that anymore. That was a young Tom - that doesn’t really matter in the same way. What matters are the choices that I’m making. Do they work with other people? Can I still go for things that I’m excited to go for, that are a challenge, while also still meeting the requirements within the team, as well?”Regarding the evolving landscape of the film and television industry, Hardy said, “I’ve noticed patterns or things move from shooting on film to digital to streamers. Post-Covid, I’ve noticed the sort of changes in genres that have been popular. The changes in chasing the tax - like cutbacks. What countries we’re going to then? Where do we hire crews from? It’s these patterns, but it further immerses one in the industry of going, I’m a functioning part of that, which is something I’m really grateful for. I never really chased wanting to be a celebrity or be famous or anything like that. I love working. If I don’t work, I love doing jiu-jitsu. I will find fun in what I do. I’m curious and I want to be part of and useful and serve a purpose.”“There is a part of me that’s gone back to the drawing board. New starts - I think there’s a return to what’s important of why I started, what I can do now. This is a generational thing, so an acting career shouldn’t stop just because you’re 50 now. It’s about recalibration and laying the track down for things that are meaningful and have purpose. And if not, don’t do them - don’t do anything. Just let it go. Some things are more important than just doing for the sake of doing, you know?”关于与塞隆的不和（只看Mad Max是很难想象的，片中俩人完成度太高了，结尾的眼神戏真好）：Hardy admitted that he'd been 'over my head in many ways' at the time, adding: "What she needed was a better, perhaps more experienced partner in me... That's something that can't be faked. I'd like to think that now that I'm older and uglier, I could rise to that occasion." PS5 第六集实在让人一言难尽。。。

不过，居然还有外媒盯着Harry、Jan、Bella所谓三角关系的？！

真的是三角关系吗？！

称：Jan Da Souza and Bella Harrigan also came face to face for the first time under awkward circumstances. This not only gives audiences a different dynamic to up the ante, but also allows these two actors time to lock horns. There is an emotional rivalry and latent love triangle between them and Harry, which deepens this melodrama and proves “Antwerp Blues” is about more than a diamond deal. 第六集一共才40分钟出点儿头长，Harry的戏份儿每一帧都变得宝贵起来，在Harrigan家听父子争执时的那几个小眼神真的是出彩儿。

Screen Rant毒舌得搞笑，说第六集"There’s a shootout, though Harry misses it. Hardy’s face is covered by a motorcycle helmet for half the episode as he rushes to collect the sibs; he may not have even been on set."又是随便看到的一篇类比汤老师和马龙·白兰度的文章https://faroutmagazine.co.uk/actor-christopher-nolan-compared-to-marlon-brando/，也挺有意思。

Ever since he permanently changed the face of screen acting, at least one actor has emerged with each passing generation who earns comparisons to Marlon Brando, for better or worse… Robert De Niro, Al Pacino, and Jack Nicholson are three that instantly come to mind, and while the trio are definitely among the all-time greats, none of them would dare suggest they could even dream of lacing up Brando’s boots. They each possessed similar traits, though, and his status as the measuring stick ensured his name would always be invoked… For a 21st century counterpoint, most people would be quick to point to Tom Hardy. 这评价，厉害了。

文中还有诺兰提到的汤老师的内外表现力的魅力："He combines the inner intensity of Brando with the outer expressiveness of a Charles Laughton."Vogue搞的这个也够搞笑，尽管是2014年的。

最新出炉的Esquire采访https://www.esquire.com/uk/culture/a64686546/tom-hardy-interview-2025/?taid=681ddfdb79cfff00010eac09&utm_campaign=trueanthem&utm_medium=social&utm_source=twitter&continueFlag=6f39947fef29754d9e9f7220048c959f 而且透露了MobLand会有三季，第二季今年10月开拍。

PS6 Harrigan家终于赔上一个了，老让Richie家挂人也是不合适。

这剧现在是主打一个瞎编了，就这，还要编三季？！

算了，瞎编就瞎编吧，谁让你瞎编也没妨碍我们追呢，掩面中。。。

Has MobLand Been Renewed For Season 2?Nope, but hang tight. Hardy has been teasing plans for the Harrigans and Harry to go “international” to continue for “more seasons,” as he told Hollywood Reporter:“The plan is definitely to see more seasons. The question is: Does it become international? There are international elements to organized crime, which are touched on in season one and the control of drugs and ammunition and weapons and people and all kinds of things that go through Europe and from Africa through to South America, Pakistan and the variable commodities that move around Europe. There are families that are involved in each European country that are vying for power to have that status to be able to move these kind of commodities through and who polices that and how that fits into a world stage.”无法想象，第二季这“国际化”得胡编乱造成啥样。。。

搞笑的是，ChatGPT还给我来了个：哈里角色发展与心理演变曲线（第1集至第7集）

Screen Rant最新的这篇剧评骂得又狠又搞笑，https://screenrant.com/mobland-season-1-episode-7-review/ "Hey don't worry, we'll get to these plots soon! Just as soon as we figure out what we're doing in the main story!"

PS7 这两天老罗在今年戛纳拿了一个终身成就奖，这让我昨天早上想起了“黑帮专业户”老罗当年令人泪流满面的《美国往事》，当时就在想，同为“黑帮专业户”的汤老师难道不能有什么片子也让人哭上一遭吗？

巧了，结果晚上就补课看了一个《传奇》，哭得稀里哗啦（尽管外媒打分没有很高，我却觉得绝对值8分以上。

导演布莱恩·海尔格兰德擅长的其实是编剧而非导演，而自2015年的《传奇》后，他隔了八年才在2023年再执导筒）。

是我无知了，原来，十年前，汤老师就已经拍出一部“伦敦往事”了。

虽非《美国往事》那一挂，前三分之二甚至很多桥段“黑喜”得让人乐不可支，可后三分之一画风突变，如同点燃一颗催泪弹，哭爆。

尽管《卫报》有评论说那场家暴戏与原型人物不符，但泪点初始的确就是那场家暴戏。

汤老师令人心心念念的复杂眼神演绎，终于有了配得上的催泪效应。

2015年实在是汤老师的大年，拿了奥提的《荒野猎人》是这一年，大爆之作《疯狂的麦克斯4：狂暴之路》是这一年，《传奇》，也是这一年。

十年前带着《传奇》参加TIFF时，他说：Just to get a job is pretty cool. I’ve far exceeded my expectations. I just came to deliver a pizza and I’m doing pretty well.

可以被清除根源的不幸不是真正的不幸，真正的不幸是发现自己竟然是被权力扭曲的人性的产物。

凯文不幸的根源不是强暴自己的狱警，而是由于权力造成人性扭曲的父母——黑社会老大和国王有本质上的差别吗？

必须保持心黑手狠，必须冷酷无情，必须让人畏惧，让一切想要欺骗自己的人不敢起心动念，必须压倒所有人，甚至是自己的老婆……这是从权力的角度分清强者和弱者的唯一界线。

人性造成追随者永远追随强者，唾弃弱者。

但是，权力必然扭曲人性，老头子黑黑了凯文的老婆，孙子居然是儿子，儿子居然是兄弟，老头子的老婆又黑黑了自己的孙子，或者说是老公的儿子……乱……从另一个角度看，政客和黑社会头子也一样，凯文的老婆从小就被自己的爸爸给黑黑了……真正的不幸是从人性的角度发现自己的困局无法解决——凯文如果不像爸爸那样狡猾恶毒，恐怕也撑不起爸爸的王国，而哈里，尽管能力过人，但是他不是一个国王的料——老婆的刀子都捅上了！

——一部精彩的黑社会版权力的游戏！

1.哈利哈利发现ohara是卧底，此时有两种解法：一是不拆穿ohara利用她传递假情报；二是拆穿卧底打明牌。

哈利选择了第二种，非常符合他的人设。

剧中哈利几乎掌控一切，这源于他拥有大量底牌：威胁他人的录音、多部手机、Kat人脉等。

这些底牌构成了哈利战无不胜的底气，在拆解结局博弈中需要先回忆下Tommy之死的前置剧情，哈利用一个酒保替死鬼欺骗了Richie，在这个布局中哈利的底牌在于他以酒保的家人作为威胁酒保因此只能死顶。

2.选择现在再回到第十集ohara被拆穿，当她向Richie坦白自己已经暴露时，ohara“欺骗谁”或者“帮助谁”完全取决于她自己的心证，剧中ohara同时向哈利和Richie说“自己觉得对方会赢”，这种台词设置像抛硬币一样似乎在赌运气。

那么，哈利凭什么确定ohara一定会帮他？

表面上看是拼运气，但实际从ohara的角度思考哈利明面上至少已经成功欺骗过Richie两次：一次Tommy之死，一次是葬礼藏枪。

这就是这次阳谋的底牌——借势。

明牌时ohara一定会帮助自己觉得能赢的一方，而之前哈利积攒的对战Richie的胜势就成了左右ohara选择的胜负手。

3.牌局现在来到最后一集牌桌。

Richie优势：人手充足、警探辅助Richie劣势：ohara信息存疑哈利优势：ohara诱敌哈利劣势：缺人模糊态势：Eddie定时炸弹、Maeve、Conrad在监狱牌面都亮出后会发现Richie绝非死局，甚至在ohara反水的情况下仍然稍占优势，他有一张炸弹牌没出就是和自己勾结的“警探”。

这里是Richie犯的第一个致命错误：行动前没有和警探交流，无论让帽子加强自己的安保还是去盯梢哈利都不可能输。

而第二个致命错误——分兵。

Richie可能是受ohara语言刺激想证明自己聪明，在兵力优势的情况下花里胡哨地搞了分兵不仅导致两边全部折损而且自己的老家空虚。

虽然Richie并没有完全相信ohara的话，没有全部allin安全屋，但只要他派出人手就已经达成了哈利调虎离山的目的。

ps：有些朋友说剧情降智，但从个人视角而言这部剧并没有到智斗的水准，看成是普通警匪片就好。

哈利虽然有一定主角光环但总体选择还是符合逻辑的。

很休闲的剧，很多的冷幽默。

在传统黑帮片比较少见。

整体质感还是可以的，看汤老师忙的焦头烂额仿佛看到了我们倒霉的中层领导。

但汤老师这个剧里应该是开了。

一个人救俩兄妹，不看片名以为是飓风营救。

那大兄弟也算喜剧担当了。

007也挺有风格的，气质这块还挺不错。

queen原来是罗马帝国艳情史和 厨师、大盗、他的太太和她的情人 的海伦米勒，第一眼还没看出来。

都过去20-30年了，疯癫这块也是棋逢对手了。

整体来说还是很喜欢这个片子的，另外女律师长得也太好看了。