一见钟情的戴维和凯瑟琳,在他们刚开始时他们笑的那么开心,他们那么幸福,阳光是和煦的,生活是简单的,也是容易得到满足的。
这样一个蜜月,正如他们的小店名字,是他们在一起的时光里最美好的一段。
但随着戴维父亲的一次到访,在听了父亲的一句话:“这真的是她想要的吗”之后,戴维开始思考现在的生活,他意识到凯瑟琳其实不是喜欢简单乡村生活的人,她更向往大都市热闹的生活,她之所以愿意这样,完全是一种为了爱人所做的牺牲。
戴维不想这么自私,他决定回去工作。
他们回到纽约,他们买了大宅子,他们周末办热闹的聚会。
凯瑟琳喜欢这样的生活,戴维原来的朋友也喜欢凯瑟琳,甚至让人觉得戴维被冷落。
这不难理解,戴维本来就是安静的人,此时他重返纽约,迁就着妻子,听名于父亲,满心的积郁无处发泄,所以会慢慢变得沉默,变得暴躁,变得不可理喻。
最终“酿成悲剧”。
说真的,片子没有戴维杀死凯瑟琳的镜头。
我不愿意相信戴维是凶手,我更愿意相信凯瑟琳真的踏上火车去了异乡。
好吧,戴维就是那个神经病凶手。
他怎么会如此脆弱,他为什么如此懦弱,也许是因为他遭受了幼时亲眼目睹母亲死亡的过程的打击,也许是他父亲从小对他过于强势的钳制,也许是他为爱牺牲太多,而自己想要的一直得不到满足,还可能是因为他一时的抑郁的得不到排遣,一时情绪的失控。
所有这些,造就了戴维和凯瑟琳的悲剧。
时光不可逆,戴维德父亲是个成功的商人,但他还是安排戴维站在了母亲自杀的现场,他还是按自己的意愿安排着戴维的生活,没有尽力弥补戴维失去母亲的痛苦。
凯瑟琳则过高估计了戴维的承受能力。
戴维则在糟糕的情绪里沉沦,意识到自己的情绪不对时也没有寻求帮助或是自助。
我想到柴静在她的书里写到的对药家鑫父亲的采访片段,药父一直很自责,责怪自己军人出身,责怪自己对药家鑫管教过严,使药家鑫走向了极端。
戴维和药家鑫都是脆弱的人,当他们的刚性得不到发挥时,他们才会走向极端。
说实在话,这部电影看得我有点小纠结。
可能是我不能很好的理解悬疑电影的真谛吧。
尽管如此,这部电影还是给我留下了深刻的印象。
尤其是在爱情观婚姻观方面。
首先,一见钟情的爱情的确美妙,然而这种美妙紧紧就像是奶油冰激凌,在嘴间伴随着一点奇幻的味道而消失在氲氲热气之中,没有踪迹。
据说男人都渴望一见钟情的爱情,这点可能是源于对美好外表的追逐吧。
忽然想到了《时尚女魔头》中的一句话,具体的记不清了,大概是这样的:内在美,人们很少会关心,因为耗时太久。
外表才是第一。
所以,有段时间,我拼命减肥。
因为在这个时代,不漂亮的cinderella始终是打扫家务的cinderella。
有人说,女人啊,你为何变得如此可怕。
我觉得是社会驱使的。
女性在中国这个受封建教化影响多年的国家里,始终屈服在男权之下,是弱者。
没人愿意老被驱使,所以,女性们只有强化内心,坚强,即使是伪装笑的开心。
因此,给我的爱情观影响是——①女孩,漂亮外表的,不要一心找个好男人,因为不管他有多好,始终他是他,你是你,靠不住的,靠自己才保险的;②是个女的都应该要提高自己的仪容,这点很重要。
其次,婚姻中的经济问题。
这部片子中,我感觉经济问题始终左右了男女主人公之间的关系。
谈到钱,两个字——伤神。
可能这么想也只是因为我们的社会生存压力太大了吧。
这太纠结了,懒得想,懒得写了。
末了,我想说的是,我曾经也幻想这个世界有多么美好,可是真真混迹于社会才发现Things are not like this。
现在想来,恐怕是因为,美好的东西从来都不以具体的真实存在的,它们静静存在于我们的想象之中。
All good things only exist in our thoughts, in our soul, in our heart....
即使是最美好的时光里,David也从未说过他爱Katie。
童年的阴影并没有让他失去爱的能力,却让他对爱变得冷漠,对生命变得冷漠。
Katie问David想不想要一个孩子时,David沉默地拒绝了,而后又告诉她,永远不想谈论这件事。
David也许是不想他的孩子像他一样,也许是不想再添加压力,但出身在平凡家庭的Katie不会懂他。
所以David熄灭了烟,站起身,说:“There is something wrong with me.”David的父亲告诉David,Katie不可能成为他们家的一员时,David回答道,那不是很好吗。
Katie于David,像一场梦幻的邂逅,是脱离他原本世界的。
他是爱着她,或是爱着她的天真烂漫的。
两人的家庭、世界观,巨大的鸿沟造成了最后的惨剧。
Katie是一场美梦,但只能是一场梦。
看完想起黄子华的金句:爱情同掳人勒索没分别,不是我死给你看,就是你死给我看。
“你肯乖乖留系度米好啦,系都要逼我出手。
”
不明白这究竟是为什么,或许是电影与想象中的相比太过不美好,或许是我还年轻,或许是自己深深的迷失在了这算不上惊悚也算不上悬疑的片子里,或许还有许许多多的理由,有许许多多的不解。
或许……抱歉,我不知道我到底在说些什么……剧情就不说了,看了自然明白,不看也没有什么可惜而言……因为看了《蓝色情人节》,一个在我心里彻头彻尾的悲剧,喜欢瑞恩高斯林的沉默与厚重。
因为看了《夜访吸血鬼》惊叹于邓斯特的表演张力与其年轻的脸上自然流露的沧桑。
坦白说,看这部片子,主要原因也就是这两位主演了罢。
All good things都会因为记忆亦或是期待而消失,我哀叹年轻、美丽和爱的流逝,沉默于罪恶的脱逃。
只是,那些曾经的阳光与微笑依然会荡漾你我的心房。
如果你想思索,如果你想尝试,看过影片,就将那些值得记忆的美好可在脑海里吧!
总之,心有爱,美好,不好,一切都还会存在
之前很喜欢蜘蛛女的街拍,没想到她能拍一个这么。。
怎么说。。
文艺??
小资??
的片子。。
这个可以发展。。
我唯一想说的就是当我第一眼看到高斯林的女装我以为那就是个女人!!!!
看来的确是有些面部女性特征。。
因为欣赏ryan gosling,早就知道这部电影,昨晚看了下载的,今天还在试图理解他所扮演的这个杀人犯。
所以想写点什么,整理一下,算做对这个电影的完结。
很久很久懒得写影评,这次就算是为了Ryan吧。
总体上并不算难看的电影,假如是像我这样不带什么先入为主的观点的话。
真实的事件原型我没有特别在意,我只是想从我看到的这个电影中试图理解一个“故事”。
David一开始就不是一个健康的人,7岁丧母,他生活在父亲的钳制下,即便是认识K,也是被迫服从命令去给租户检查漏水的水管。
一见钟情之后的爱情,是两个人最美好的时光,D短暂地摆脱了父亲、摆脱了“过去”,但是就像他所开的健康食品店“All Good Thing”一样,他最后的放弃、屈服等于就是走上“宿命”的悲剧道路。
“过去”一点点地侵蚀着唯一的“美好”,他强迫自己认为这么做是为了让K生活的更好,开始拥有大公寓的时候,似乎成立;但是当K意外怀孕后愕然发现枕边人是一个根本没能力当“父亲”的病人时,她的悲剧开始了。
当她痛失“孩子梦”后,毒品慰藉了她,之后她求生的本能促使她去实现自己的“医生梦”,然而,D不能接受K的“远离”,他需要一个能证明自己“扭曲的生活”的价值的“假象”,那就是像那只长得无比萌的乖乖哈士奇一样,每天呆在家里的忠实的无思想的伴。
然而即便是如此忠诚可爱的狗狗,也只是因为几个不经意的眼神刺激了D的脆弱神经而被毁灭。
D对狗狗唯一说过的话就是:你看什么看!?
当他的病态人生不能维系平衡时,他要做的只是毁灭他身边的生命。
即使是看上去最亲的。
这是他的宿命,他认为父亲当年把自己置身于惨剧现场,无异于杀了他,他本来爱母亲的,然而母亲被父亲毁灭了,他又不得不生活在父权制下。
她的最后被杀掉的女朋友,说过:母亲死后他独自呆了两个星期,出来之后就像他没有过母亲一样。
这就是他存在的方式,任何不能承受的事情,就在瞬间决绝让“它”消失。
于是,终于,狗被“消失”了,K也被“消失”了。
之后,他去找父亲,这个他的“造物主”,告诉他“现在我和你一样了”。
父亲在夜色里追出去喊他,他走远了,父亲打开了车后备箱……镜头没有交代他看到了什么,我们能肯定的只是,K死了。
后来D的生活电影中语焉不详,只能看到他为了让自己“消失”,男扮女装生活在一处公寓。
因为那位女朋友的电话“威胁”,他选择与邻居老头成为“朋友”,处心积虑地设下“房子”的圈套利用他成为“杀手”,最后保全了自己。
而电影中交代了女朋友曾经为他所做的——假扮成K出现,造成K只是“失踪”而被谋杀证据不足的结果。
最后邻居老头发现被骗,D也只是冷静地处理了他,且最后因为“正当防卫”被判无罪。
影片中甚至交代或说“暗示”了此案被重新立案侦查后,幕后女检察官真正目的,不过是实现与D家族(为了公司名誉)的金钱交易。
世界本是如此,没有人真正关心所谓“公正”和“真相”。
有人说这个电影最后还是“坏人逍遥法外”,其实我觉得,这个电影无关好人、坏人,它似乎只是以一个冷峻的真实案例,试图展现这个世界或者说人性中寒冷彻骨、绝望、宿命的一面。
D并不是那种乱杀无辜的亡命徒,他杀人的动机复杂到不可言说,影片在最后说“D的父亲在临死前,D赶去见了他最后一面”,似乎是在暗示是D结束了父亲的生命。
而这对他来说,也是“杀人”的完结。
另有一个感慨,电影中在两人最甜蜜的阶段,也从没有让男女主角互相的台词中出现过“我爱你”这样的对白,后来K曾说过“我除了你没有爱过别人”,而D的台词中,从来没有与“爱”有关的字眼,从他对于要BB的反应,也能看出他对爱和家庭这些价值是完全格格不入的。
他只是承认过“something wrong with me”。
他其实早就是一个被“爱”抛弃的也不能爱的异类了。
女主角K其实完全有机会离开,但是最后她纠结于无法得到的合理财产权益而滞留在D的生活中,丧失了求生的机会。
也许是当局者迷吧,她以为还有解决问题的可能。
据说D在父亲临终的病床前说过“我想念K”的话(我在影评里看到的自己没印象),这也说明,他自己是明白的,他明白K是唯一爱过他的人,除了母亲之外。
他应该是恨父亲的,他开始的妥协是希望得到父亲的“爱”和承认,但是影片中他唯一落下一颗泪的地方,就是在弟弟的办公室,当着父亲的面,自己得知被调任同时弟弟成为公司的继承人。
梳理了这些之后,我还是不太明白有些地方,就是在描述湖边生活的时候插入了一些夜晚中的镜头,比如穿着女式高跟鞋的一双脚,拖着塑胶袋,小船,湖面,袋子或箱子落入水中的画面……为什么要在那个时候穿插?
暗示之后的事实?
还有,当他拆开了K的大学录取单后,为什么要跳进湖里去拉那只船?
说“船飘走了,我不想它被人偷走”?
也是暗示与船有关的谋杀,或者暗示他为了防止K被“偷走”而要最终采取的暴力行动吗?
基本上,这就是我看完电影后所有的想法了。
也许,抽空还会再看一遍。
最后,关于Ryan的演技,我认为这个角色塑造是成功的,一个原本让人无法理解的复杂人物,在他的演绎下,似乎创造了让观众理解、揣摩的可能性。
这样超高难度的角色,又有几个演员能驾驭呢?
我觉得他做到了。
最赞的是,对不同年龄段人物的塑造相貌精神气质差异性极大,老年阶段的声音旁白沙哑粗粝但毫不做作。
这样演技高超的全才帅哥,不服不行的。
之前对本片期待很大,其中很重要的一个原因就是主演有瑞恩·高斯林,太喜欢他演的《充气娃娃之恋》,加上这个故事感觉也挺不错,相信他演来应该会挺靠谱,看了影片之后,感觉果然如此,两位主演都有着不错的发挥,只是故事略微生涩了点,显得不是那么紧凑而吸引人,如果能静下心来看,还是一部挺好的片子,尤其喜欢那一股80年代的怀旧风。。
He is a child until his father’s death. His life marked as he is 9 years old, after watching his mother death. It is like he never grows up and become who he is right now. He blames all of it to his father. From that moment on, he does everything against his father’s wish. Such as always late; bring first met Katie to his family party; even married to Katie is after talked between his father and him.(She is never belong to us. Isn’t it good…); they move from Vermont to NYC, after his father talked to him. One thing interesting in film, his father said why Katie with him is she want to live a better life, not now, most important thing he said, she is like your mother. HE look over her again, I think the answer is yes.On the other hand, he is afraid of his father too. He also wants to make proud of his father. If one thing is against David wish, but he can’t said no. There is a thing become grown in his heart which makes his character more twisted and lost control…Katie and he might be really loves each other. But the love it’s different from each other. David love Katie is like she gave him mother-like feelings. Like he said, she loves everything you like that she didn’t like. She gave him unselfish love, although she knew there is something wrong with David more than one times. She is still with him. On David comprehensive, this love should obey him, Katie like his privacy. He can’t stand someone steals it, which means the boat far away from the shore; Katie wants to go a medical school... Why Katie loves him so much, I didn’t see so much that she look on David‘s money. Maybe they have the same childhood; David just gave her the pure love. Although ten years past, she still felt that David loves her so much. But the way of love changed and twisted. Two weak people but really matched!David is under the edge of lose control…The climax of this film is the talk between David and his father. He finally got the answer of why he became like this. The childhood nightmare always like devil follows him, change him, and make him. Then finally cleared, but it’s too late. He still is a child, play disappearing game with everyone. He might be thought it’s a excellent revenge. But he knew he left something…At the end of visiting his dying father, David said I miss her so much. I think most of her is said Katie and some of said his mother. In David subconscious, Katie is his mother. He gave her violence death like his father gave her mother. But after his father death, he feels free eventually. All good things come to an end, but happened before...
On the scene in the opening credits when a young Durst shoots a toy gun at his mom:"I did like guns when I was a little kid, I remember that."On meeting Kathie’s family:"That is one of the major regrets in my life, is the way I treated her family, her mother. They’d never met anything like me before, this guy with piles of money and terrible manners. I used to feed the dog while I was sitting at the table. I used to talk about making love to Kathie at the dining-room table in front of her mother. [I was] absolutely impossible."On why Kathie’s family paid for the wedding, despite the Dursts’ enormous wealth:"The bride’s family pays for the wedding."On his shock that Kathie was accepted to the Albert Einstein School of Medicine:"I just didn’t think she would be accepted. I thought that if she was accepted to medical school, it would be one of the lesser-rated schools. My shock was somewhat tempered … [since] the reason she got accepted at Albert Einstein was because my grandfather was a founder of Albert Einstein."On his refusal to help pay for Kathie’s school, and the cancellation of her credit cards:"I was always, always, always very controlling. In terms of the stuff that’s out there — that I tried to get her out of medical school, that I wouldn’t pay her tuition — I wouldn’t pay her tuition because she’d hired lawyers, my lawyer insisted that I don't pay for anything that I hadn’t paid for in the past, and she’d gone and done one of those federal programs where they pay for it and you take a loan. The lawyer said, 'Don’t pay for the medical school.'""Yes, I cancelled her credit card and took her off the bank account, but she had her own bank account and I didn’t want her on mine, or I guess I was told that she shouldn’t be on [my] credit card — she could get her own credit cards.""She never filed for divorce. She wanted a child, to have children, and she wanted me to not always be the dominant one, to not always make all the decisions in the marriage."On the scene where Gosling’s character storms into Dunst’s graduation party and pulls her out by her hair:"This is close. After a number of years, before, where we would go to her family’s house for a function, I would insist that we agree on how long we are going to stay: two hours, three hours, four hours. We would always do a negotiation, and when the time was up, I was ready to leave.""I’ve seen the story about the hair two different ways. One way, I drag her out of the house by her hair; the other way, I grab her hair and a big chunk comes out. Either way is close enough."On the scene in which Dunst’s character seeks refuge in a neighbor’s apartment in the midst of a fight with Gosling’s character:Durst: This is more or less accurate. I don’t know why she would go in our neighbor’s window as opposed to go to their door. But it was pouring, and we were having a wrestling, shoving-type fight, and she ran out on the terrace and ran into their apartment. Said she was afraid to come home. [I] said, "She doesn’t want to come home, she doesn’t have to come home."Jarecki: Did you feel like she was really afraid to come home?Durst: I’ve got no idea. I didn’t really care one way or another what she did. It was late and I was just tired."On the part where Dunst’s character discovers Gosling’s character killed Igor, the family dog:Durst: This made me feel bad about the movie, Andrew. I mean, the idea that I could kill Igor, I don’t like.Jarecki: Well, there was a lot of discussion about you having had a lot of dogs over the years, a bunch of [which] were named Igor. Someone said to us at one point that you had seven dogs over ten years or something."Durst: No. We had two Igors before the Igor that lasted forever. One of them got run over, and one of them, when he was a puppy, went out and … ate an apple core. The apple core got stuck in his gut. We did an operation on him, and he died.On his relationship with Morris Black:Durst: [In Galveston, I] didn’t know anybody there to begin with, and when I left, I didn’t know anybody but Morris Black. And we were both loners and had some strange things in common and didn’t do much. There’s not that much to do in Galveston, anyway, but whatever it was, we did it. Went to some movies. Saw Traffic.Jarecki: The movie Traffic?Durst: Yes, the movie Traffic.Jarecki: You didn’t just sit and watch traffic.Durst: [Laughing] There wasn’t even much traffic in Galveston.On Morris Black’s death and dismemberment:"I remember it very, very, very clearly, and I remember the nightmare I went through over the next several days trying to decide what to do, deciding I could not go to the police, the police aren’t going to believe this, nobody’s going to believe that I came down here to Galveston a rich guy, rented a $300-a-month apartment disguised as a woman, and oh, by the way, my neighbor is lying in my kitchen with a shot in the face from my gun …""They never found the head. I have no idea why. I do know that there must have been 15 garbage bags full of body parts and other stuff with blood on it or whatever, and they found 12. Why they didn’t find the other ones, since they were all dumped in the same place, I have no idea."
太伤了邓斯特命好总和帅哥合作。这次是我特别喜欢的瑞恩高斯林.这个故事告诉了我们不要随便揭穿富豪家的秘密啊魂蛋T^T
……为神马大家都觉得一般般 可是我挺喜欢的啊……
配乐很不错,后段元素太多,叙事稍稍有些不集中。
All Good Things......come to the end.
所有关系中总有一个愿打一个愿挨...激烈点的就被称为家暴了...
大致上还原了真实事件的大背景,其实还是截取了片段小格局。导演叙事能力不错,并不清晰的线索利不太整齐的脉络被梳理得较为规整。半记录式的旁白利弊各半,给予影片整体的真实震撼性,同时也削弱了悬疑感。在不批判不同情的立场下,这样一部电影除了演员还不错的表现外,缺少存在价值。
这么好的电影,豆瓣小清新们无感么。分这么低。
改编地真不咋的。
都害怕了 剧情其实可以缩成一集criminal minds
所有美好的东西敌不过一个精神异常的神经病!这是中心思想么?看得似懂非懂,凶手昭然若揭,动机是什么?悬疑在哪里?
瑞恩高斯林那样也太阴森了
刚看完这部《所有美好的东西》,属于剧情惊悚电影,电影名字和剧情是相反的,所有美好的东西其实一瞬间就化作不美好,是对现实的讽刺,影片根据纽约历史上最声名狼藉的谋杀悬案改编,上流社会的人是不是都容易得精神分裂症?kristen dunst的复出,带给这部戏很大惊喜,将一个可喜可悲的妻
我承认我怜香惜玉,而忽略了电影的中的颜色与光
嫁错了连命都要搭上
一星给高司令~!
两位主角发挥很到位!
开始明明那么的美好。。。这是两部片子剪在一起了么。。。接受不能
冷到刺骨的恐惧
我不喜欢,冗长,阴暗,不爽
Ryan的独角戏...a family's Mystery...不是爱情片而是惊悚悬疑片...plus,Kirsten is naked...